Harun Yahya

Introduction: A Colourful World

Have you ever thought what it would be like to live in a world without colour? Free yourself for a moment from your experience, forget all that you've learned and start using your imagination. Try to visualise your body, the people around you, the seas, the sky, trees, flowers, in short everything in black. Imagine that there is no colour around you. Try to think how you would feel if people, cats, dogs, birds, butterflies, and fruits had no colour at all. You would never want to live in such a world, would you?

Most people may never have thought about what a colourful world they are living in or wondered how such a diversity of colour has come to exist on earth. They may never have given a thought to how a world without colour would be. This is because everyone who sees was born into a world full of colour. However, a model of a black and white, colourless world is not impossible. On the contrary, the really amazing thing is our living in a bright, colourful world. (In the following chapters, we will discuss in detail why the existence of a colourful world is so amazing)

We always see a world full of colour.

We always see a world full of colour.

Renkler olmasa Dünya bu şekilde olurdu

When the pictures above and below are compared, it will be better understood how nice it is to see a world full of colour. Colours are one of the greatest blessings that Allah has bestowed upon people in the world.

A colourless world would normally be thought of as having only black, white and shades of grey. However, black, white and shades of grey are also colours. In this respect, it is difficult to imagine colourlessness. To describe colourlessness, one always feels the need to mention a colour. With statements such as "it was colourless, completely dark", "there was no colour in her face; it was completely white" people try to describe colourlessness. In fact, these are not the descriptions of colourlessness, but of a world of black and white.

Try, just for a second, to imagine that all of a sudden, everything loses its colour. In such a situation, everything would mix with everything else and it would become impossible to distinguish one object from another. It would become impossible to see, for example, an orange, red strawberries or colourful flowers on a brown wooden table, for neither would the colour of the orange be orange, nor that of the table brown, nor that of the strawberries red. For a person, it would be quite annoying to live, even for a short time, in such a colourless world, which is even difficult to describe. Colour has a crucial role in man's communication with the outside world, in the proper functioning of his memory, and in his brain's fulfilment of its learning functions. This is because humans can develop appropriate connections between events and places, people and objects only through their external appearances and colours. Neither hearing nor touch alone suffice to define objects. For humans, the external world only means something when it is seen as a whole with its colours.

Identifying objects and our surroundings are not the only benefits from the diversity of colours. The perfect harmony of colour in nature gives the human soul great pleasure. In order to see this harmony and derive pleasure from every detail of it, man has been equipped with a pair of eyes, which have a very special design. In the world of animate beings, human eyes are the most functional and can perceive colours in their smallest details, so much so that the human eye is sensitive to millions of colours.1 Evidently, the visual apparatus in humans that works so perfectly has been specially designed to see a world full of colour. The only being on earth that can understand the existence of such an order in the universe is man because he has the power to reflect and reason. Hence, in the light of all the foregoing, we conclude the following:

Every detail, pattern and colour in the heavens and the earth have been created for humans to acknowledge and so to appreciate this order and reflect on it. The colours in nature have been arranged in such a manner as to appeal to the human soul. Perfect symmetry and harmony prevail within colour, both in the worlds of animate and inanimate beings. This situation will certainly evoke some questions in the mind of someone who reflects, such as:

What makes the earth colourful? How do the colours, which make our world so extraordinarily beautiful, come into being? To whom belong the design of the diverse colours and the harmony between them? Is it possible to say that whatever exists might have come into existence by purposeless changes brought about by a chain of coincidence? Certainly, no one would claim such an absurdity. Uncontrolled coincidences cannot create anything, let alone billions of colours. Just observe the wings of a butterfly or colourful flowers of any kind, each of which looks like a wonder of art. It is surely impossible for sound reason to attribute all these to unconscious processes.

We can have a better understanding of this fact if we take an example. When one sees a painting depicting trees and flowers in nature, one would not claim nor even think that the harmony of colour, the organised patterns and the conscious design in this painting could have come into existence by coincidence. If someone came along and said, "the paint boxes were overturned by the wind, mixed, and with the effect of rain etc., and after a long period of time this beautiful painting was formed", it is certain that nobody would take him seriously. There is a very interesting situation here. Although nobody would attempt to put forward such an unreasonable claim, some people can nevertheless claim that the perfect colouring and symmetry of nature came about by such an unconscious process. Nevertheless, evolutionists produce theses that it is the workings of coincidence to explain this subject and they produce various researches. They do not hesitate to put forward baseless claims on the issue.

This is obvious blindness, with which it is difficult to come to terms. Still, someone who escapes from this blindness through exercising his faculty of thought will understand that he actually lives in an extremely miraculous environment on the earth. He would also fully acknowledge that such an environment furnished with the most appropriate conditions for the survival of humankind could not have come into existence by chance. Just as a man who reflects, acknowledges the moment he looks at a painting that it has a painter, so will he understand that the multi-coloured, harmonious and extremely picturesque environment around him also has a Creator. This Creator is Allah, Who has no partner in creation, Who creates everything in full harmony, and Who placed us in this world overflowing with numerous beautiful things embellished with millions of colours. All the things Allah creates are in perfect harmony with each other. Allah describes the uniqueness of His artistry in creation in the Qur'an as follows:

He Who created the seven heavens in layers. You will not find any flaw in the creation of the All-Merciful. Look again-do you see any gaps? Then look again and again. Your sight will return to you dazzled and exhausted! (Surat al-Mulk: 3-4)

Intelligent Design - in Other Words, Creation

In Order to Create, Allah Has No Need to Plan .It's important to properly understand the word "design." If Allah has created a flawless design that does not mean that He first conceived a plan and then followed it. Allah, the Lord of the Earth and the heavens, needs no "designs" in order to bring anything into existence. Allah is exalted above all such deficiencies. Both His planning and His creation take place at the same instant.

Whenever Allah wills a thing to come about, it is enough for Him just to say, "Be!" As verses of the Qur'an tell us: His command when He desires a thing is just to say to it, "Be!" and it is. (Surah Ya Sin: 82)

[Allah is] the Originator of the heavens and Earth. When He decides on something, He just says to it, "Be!" and it is. (Surat al-Baqara: 117)



1. Bilim ve Teknik Dergisi (Journal of Science and Technics), March 1985, p.23

Chapters of the Book

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